"En gran manera me gozaré en Jehová; 
Mi alma se alegrará en mi Dios,
Porque El me vistió con vestiduras de salvación;
El me rodeó de manto de justicia."
-Isaías 61:10

Este misterio celebra la ausencia de pecado de la Virgen María desde el momento de su concepción en el vientre de Ana, su madre.  La preservación de María del pecado original se deriva del plan eterno de Dios de que ella sería la Madre de la Divino Palabra en el misterio de la Encarnación. Además, el estado sin pecado de María desde el momento de la concepción es una gracia singular otorgada por Dios. La ausencia de pecado hace que María esté "llena de gracia" desde sus inicios.  Es importante tener en cuenta que María es el bebé sostenido por Ana.

El unicornio, un legendario animal parecido a un caballo con un solo cuerno puntiagudo, es un símbolo tradicional de inocencia y pureza. Como marca registrada de los químicos, el unicornio significaba la no contaminación de sus productos. Como imagen cristiana, el unicornio significa el animal con cuernos salvaje que solo puede ser domesticado en presencia de una virgen sin pecado. Como imagen bíblica, el cuerno del unicornio es el símbolo de la fortaleza. En los Salmos, Dios es identificado como "mi cuerno de salvación", porque las unciones rituales son, derramadas de un cuerno (Salmo 18:3; 92:10; y Lucas l:69).

El lirio, una flor que rara vez se menciona en las Sagradas Escrituras, excepto por su frecuencia en el Cantar de los Cantares, también es un símbolo de pureza.  La ausencia de pecado de María entre la humanidad se representa "como un lirio entre espinas" (Cantares de los Cantares 11:2).

En el registro inferior, el Sacramento del Bautismo es retratado por la concha marina de la cual fluye el agua para limpiar a los creyentes del pecado de la raza humana.  Las tres cruces simbolizan la fórmula trinitaria de este sacramento, que restaura al creyente a la gracia de Dios.

Presentado por James and Virginia Conrads y Familia

“Gabriel said to her:
‘Rejoice, highly favored Daughter!
The Lord is with you ….
You are to conceive and bear a son,
and you must name him Jesus.’ ”
– Luke 1:26

Gabriel appears at left as the hand bearing the cross, the sign of our Redemption. Mary prayerfully receives the message of God’s New Covenant.  Encircling Mary is Noah’s rainbow, the symbol of God’s earlier covenant (Genesis 9:9-17). The Trinity is symbolized by the hand of the Father; the dove, as the Holy Spirit: and, at the level of Mary’s abdominal womb, a flower suggests that Jesus is born of the Tree of Jesse (Isaiah 11:1).

In the lower register, Mary’s virtue of Prudence is depicted by the traditional oil lamps of the five wise virgins. In Mary, the Virgin Most Prudent, the divine oil burned brightly in her soul to enlighten all her decisions.

Presented by David and Joanna Schoerner

“Mary set out at that time and went as quickly as she could to a town in the hill country of Judah. She went into Zechariah’s house and greeted Elizabeth.”

– Luke 1:39-40

Mary and Elizabeth embrace. The hand of the Precursor, John the Baptist, points to the Lamb of God. Under the inspiration of the Holy Spirit (above the two women), Elizabeth prophetically declares, the unique blessedness of Mary among all women and the blessed fruit of Mary’s womb. The liturgical reading for this feast comes from the Song of Solomon, which cites “flowers appear” -Song of Solomon 2:12.

In the lower panel, Mary’s exemplary Charity is symbolized by the heart enflamed and emblazoned with her initial. Despite her own state of maternal expectancy, Mary hastened to assist her cousin Elizabeth.

Presented by

Roger and Elaine Schoerner

“But for you who fear my name there will arise the SUN OF JUSTICE with its healing rays.”

– Malachi 3:20

Mary places the new born infant Jesus in the animal trough. Joseph is present in the symbol of the flowering rod to the right of Mary. In the devotional literature called “apocryphal” gospels, Joseph appears at the Temple among suitors of the Virgin Mary.  Each young man has left a tree branch with the High Priest. According to legend, whosoever’s branch budded was the providentially appointed future husband of the special Virgin Mary.  The flowering rod also reminds us that the lineage of the ancestors of Jesus were traced through the family line of Joseph. In the top right corner, the morning sunrise bursts upon the scene as the “Sun of Justice.”  To signify that heaven and earth are joined by the mystery of the Incarnation, the vision of Jacob’s ladder of ascending and descending angels appears on the left.

Below the Nativity scene the sacrament of Holy Orders is represented by the chalice and Scriptures. Jesus Christ became a priest on the night of His birth. Also, Christmas means “Christ’s Mass.” The German “Weihnachten” literally means “Ordination Night”.

Presented in Loving Memory of The Deceased members of the Farish and Bedient Families

“When the day came for them to be purified as laid down by the law of Moses, they took him up to Jerusalem to present him to the lord.”

– Luke 2:22

Simeon holds Jesus aloft and proclaims the Child to the promised Light of the World.  Now Jesus will replace the Menorah, the seven-branched lamp stand which to the Jews was the symbol of the presence of God’s light.  Jesus is dressed in green priestly vestments: green is the symbol of hope. To complete the ritual of purification, forty days after the birth, Mary and Joseph offer two turtle doves as the sacrificial gift of the poor,

In the lower frame is the prophetic image of Simeon:

“You see this child: he is destined for the fall and the rising of many in Israel, destined to be a sign that is rejected – and a SWORD WILL PIERCE YOUR OWN SOUL TOO.”

The pierced heart symbolizes Mary’s heroic virtue of Fortitude.

Presented in Loving Memory of Lou and Mary Benchina

“After Jesus had been born at Bethlehem in Judea
During the reign of King Herod,
Some wise men came to Jerusalem from the east.
‘Where is the infant king of the Jews?’ they asked.”
-Matthew 2:1-2

Mary is seated on a regal throne. Jesus is enthroned on Mary’s lap.  Wearing a royal crown, He holds an orb of the world in his left hand and blesses with his right hand. The Star of Jacob offers cosmic radiation upon the Gentile world. The three Magi are identified by their specific gifts: The treasure box contains gold, the appropriate gift for a king; the, censer contains frankincense; the vase, myrrh – both significant offerings to Him who will be both priest and victim.

The lower register depicts the Marian virtue of Faith: Her entire life was marked by faith. The Virgin Mary is the bearer of the Light of the World. The star, the cross, and the crown symbolize her faith in the joyful, sorrowful and glorious mysteries.

Presented by Peter and Theresa Warenzak

“After the Magi had left, the angel of the Lord appeared in a dream to Joseph and said, ’Get up, take the child and his mother with you, and escape into Egypt….’ ”

– Matthew 2:13

Mary, with the Christ Child, sits astride the mule.  Joseph is their dutiful guardian and guide.  At the top, cross-like, is the Egyptian Ankh sign, symbol of life.  To the left of Joseph are cut and broken flowers to signify the slaughtered children of Israel. It was in the land of death and of the life after death that the Holy Family sought refuge from the infanticidic Herod.

The lower panel of this window represents two related sacraments: the sacrament of penance and the sacrament of the sick and the dying. The keys of the kingdom symbolize the power of the Church to forgive and heal here on earth.

In Loving Memory of

Ava Frances Sewell Plunkett

By Her Husband and Family

“Three days later, they found him in the temple,
“Sitting among the doctors,
“Listening to them,
“And asking them questions.”
– Luke 2:46

The temple appears in the top left as a dome shape.  The young twelve year-old Jesus, with an upraised teaching arm and hand position, sits amidst seven rabbis, symbolized by seven oil lamps which lack flames.  In the top right, within a trefoil clover, are the traditional symbols of the Most Holy Trinity, the source of His wisdom.

Mary’s virtue of Justice is depicted in the lower register: Mary bore no prejudices.  She rendered to each his due and sought to alleviate inequities.

Presented by

Charles and Sarah Irle

In Loving Memory of Their Son Eric

“Three days later there was a wedding at Cana in Galilee.
The mother of Jesus was there.”

– John 2:1

Mary is shown in an intercessory position to the left of Jesus. The festive wine has run short. Jesus responds positively to his mother’s prayerful request.  From his hand into one of the six wine jars water flows. From the horizontally placed wine jar, a wine-colored liquid flows. Mary’s intercession was heeded by her son: The water turns into wine.

Obviously, this mystery at Cana serves to illustrate the sacrament of Matrimony, symbolized by the intertwined wedding rings.

Donated by

Mr. and Mrs. Donald R. Ginnity and Children

“Then he took some bread, and when he had given thanks, broke it and gave it to them, saying, ‘This is my body which will be given for you; do this as a memorial of me.’ He did the same with the cup after supper, and said, ‘This cup is the new covenant in my blood which will be poured out for you.’ ”

-Luke 22:19-20

The Latin lyrics of a Marian hymn say, “Hail True Body born from the Virgin Mary.” Jesus here is portrayed amidst His Twelve, He holds the bread and the cup. The Apostles are represented by eleven bright stars and one dull star. Spikes of wheat and clusters of grapes are the natural sources for the Eucharist.

The lower panel depicts the Sacrament of the Eucharist in the form of the Paschal Lamb, which for the Hebrews was the ancient sign of deliverance. The Passover feast is the setting for the New Pasch (deliverance).

Presented  by

Walter, Marie and Tina Lewis

“Seeing his mother and the disciple he loved standing near her, Jesus said to his mother, ‘Woman, this is your son.’ Then to the disciple he said, ‘This is your mother.’ And from that moment the disciple made a place for her in his home.”

-John 19:26-27

Mary – the biblical “woman” of Genesis and Revelations – stands to the left and the favorite disciple, John the Evangelist, to the right of the Jeweled Cross, a Greek cross with five diamond-shaped jewels for the wounds of Jesus’ hands, feet and side. The nails of the Passion remind us of the reality of Jesus’ death on Golgotha-literally, “Hill of the Skull.” Christ’s victory over death is signified by his Resurrection – the Jeweled Cross theme.

The Resurrection theme is reinforced in the lower register, where the symbol for the virtue of Hope is Jonah and the whale.  Jesus-Jonah-like – spent three days in the bowels of the earth before arising to life.

Presented  in Loving Memory of

Dwight Bishop

“All these joined in continuous prayer, together with several women, including Mary the mother of Jesus . . . .”

“When Pentecost day came round, they had all met in one room and something appeared to them that seemed like tongues of fire.”

– Acts of the Apostles 1:14; 2:1-2

Mary is centered amidst the flames of the Twelve Apostles. (Matthias had already been elected to replace Judas.) The dove, symbol of the Holy Spirit, hovers at the top.  It is here that the Church is ratified by the dynamic action of the Holy Spirit.

At the bottom, the Sacrament of Confirmation is suggested by the hands of imposition and the jar of anointing oil.

Presented  in Loving Memory of

Dr. James I. Vansant

“Yes, blessed is she who believed that the promise made her by the Lord would be fulfilled.”

– Luke 1:45

In 1950 Pope Pius XII proclaimed the dogma of the Assumption. In this window the Son of God crowns His Mother. Mary becomes the reassurance of God’s promise: what she has already achieved, the faithful can also anticipate.

Presented  by

Anna M. and Ettore G. Fazio

In December of 1531 the Virgin Mary appeared to an Indian convert to Christianity at Guadalupe, near Mexico City. Hearing his name called, “Juan Diego” looked up to observe a dark-haired Madonna with bronze skin. Her blue veil and white robe were bathed in an aureole of golden light. She requested Juan Diego to inform the bishop that he was to erect a shrine to her on the hilltop site, where at this unseasonable time of the year Mary had caused roses to bloom in the barren earth. Gathering the miraculous roses into his tilma  (a long cotton shirt worn by Indians), Juan opened his arms; out fell the flowers, revealing on his garment the imprinted image of the Virgin of Guadalupe.

In the lower right corner appears an architectonic version of the popular Mexican deity called Quetzalcoatl, a feathered serpent. Montezuma II, King of Aztec Mexico, misread the arrival of the Spanish Conquistadores as the fulfillment of the thousand-year-old Toltec prophecy concerning the return of the plumed snake. In fact, Spanish missionaries introduced Christianity in 1521, just ten years before Our Lady’s appearance to Juan Diego.

Given by Undine R. Head

In Loving Memory of Carl B. Head

To an unlettered, poor girl, the Virgin Mary appeared in a cleft in the rocks. (Her name, Marie Bernarde Soubirous, is better known as Bernadette.) The year was 1858.  Her visionary accounts provoked skepticism until the apparition of March 25, when Mary identified herself as the “Immaculate Conception.” The civil and ecclesial authorities then recognized that this poor, ignorant, girl could not have made up this title, for only four years earlier in 1854 had Pope Pius IX proclaimed This mystery as a dogma of faith. The authorities were certain that neither Bernadette nor her fellow peasants of Lourdes were fully appreciative of the ratification of this title by the Virgin Mary herself. The message to Bernadette was simple: pray and meditate the mysteries of Our redemption through therosary.

The fleur de lis at upper left is a twofold symbol: it is the traditional coat of arms of France; it also is a symbol of the Virgin Mary’s innocence and purity.  Fleur de lis means “lily.”

Presented in Honor of Our Blessed Mother by

Jubal and Nancy Watts and Children

Vatican II documents reaffirmed the role of Mary, the mother of Jesus, as the mother of all the church.  The Blessed Virgin stands out in eminent and singular fashion as exemplar both of virgin and mother. The church indeed contemplating her inner sanctity, imitating her charity and faithfully fulfilling the Father’s will, by receiving the word of God in faith becomes herself a mother. The window depicts Mary standing on the moon, adorned with the sun (Book of Revelation 12:1) with arms outstretched over the church as represented by St. Peter’s Basilica in the Vatican. As the moon reflects light from the sun, Mary shines forth as the model of virtues to the whole church. The dove reminds us that Christ, Mary’s son, was conceived of the Holy Spirit and born of a virgin.

Vatican Council II, Dogmatic Constitution on the Church, Chapter VIII: Our Lady.

This window was blessed by the newly appointed Archbishop of Atlanta, Most Reverend Wilton D. Gregory, 6^th Archbishop of Atlanta, at confirmation on January 21, 2005.  Our Lady of Perpetual Help was the first confirmation conducted by Archbishop Gregory in his new appointment as Archbishop of Atlanta.

Given by

O.L.P.H. Parish Family

The two windows of the Eucharistic Chapel (often referred to as the “cry room”) draw from traditional symbols. The Paschal Lamb is inspired by the new and old covenants. For the Hebrews, the Passover required a Pasch meal of a lamb. On the same night in which Jesus celebrated the Hebrew Passover, He then instituted the New Covenant with the Eucharist.  In the Book of Revelations Jesus is again identified as the New Paschal Lamb. (Revelations 5:6) Also, this Book emphasizes that the Divine Word becomes present through the sacred readings of the Eucharistic liturgy.

In Loving Memory of Joseph and Grace Connell

And Mary Kay Rollins

Jesus chose such simple elements for the gift He gave in the Eucharist. The spikes of wheat remind one of the bread that becomes food; the grapes, the wine that becomes drink. Under such simple signs, Jesus becomes sacramentally present: “Take and eat . . . . Take and drink of this cup.”

Given by

O.L.P.H. Parish Family

Henry Setter,  Art and Liturgical Coordinator,  November 29, 1989

Electronic, updated version of document (2007) prepared by Javier E. Hasbun and David J. Boldt